That Drifting Poo Was Far Too Symbolic! These Are the Television Disappointments of the Year.

Looking back, we reflect on the TV landscape of the past year, a handful of shows emerge not for their excellence, but for their spectacular shortcomings. From awkward spin-offs to bafflingly poor docuseries, here are the productions that left us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final season began, it seemed as if it had at last found its groove. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the final series. It concluded on a bum note; the closeup of Miranda’s loo full of poo was simply too on-the-nose. Still, fans certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The recipient of a very rare no-star review, it was difficult to know where to start listing the flaws. The hilariously leaden dialogue? The mind-numbing veneration of affluence and consumption? The seemingly wilful parade of cliches? Acting so bad they felt borderline malicious? Suffice it to say “all of the above” and forget about this series again. However, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might induce should be reserved for the people who have had to suffer close contact with this charming but dismissive narcissist.

The Iris Affair

Of course we knew it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its stars 
 but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up hacking Charlie with an axe 
 in super slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were many other issues. Mainly that it was just really dull; a dispute over narcotics territory between various London rogues which seemed a bit basic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of certain ostentatiously angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s various forays into twee homemaking as intentional provocations. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a lifestyle magazine come to life; a meme for evening drinks with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental platitudes and pointless crafting “hacks” you’ll not remember instantly. All underpinned by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about both Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this documentary series chose not to say them. Rather, the viewing was akin to consuming a marketing catalogue. She clearly has good reason to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this cagey letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even camper, with a famous star playing dead and a well-known personality managing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too complicated to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to emulate something way beyond it.

Too Much

How do you follow a show that defined a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series laboured awkwardly to find the right voice, lurching from oddly breezy, slightly stylised farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

Prime Target

We love the star 
 but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could ruin society? Nope! This international thriller about secret services spying on – and killing off – academics honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was way more interrogation of her true psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to haul her son away from the queue. What we got was horrific shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Kim Hughes
Kim Hughes

Elara Vance is a senior industrial engineer with over 15 years of experience in automation systems and sustainable manufacturing practices.